lonnie donegan discography

The man extending the invitation was Chris Barber, himself an aspiring young jazzman. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. 3 (May 9, 1957 & August He formed his own group, the Tony Donegan Jazz Band, in 1952. Donegan was only paid a few pounds for the recording, and received no royalties. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Diggin My Potatoes / Bury My Body (1956) . Wabash Cannonball Carter's "Wabash Cannonball." Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. Feel free to contribute! In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Sequel Records has decided to honor Lonnie Donegan with its Lonnie 2000 series, reissuing all of his classic Pye/Nixa sides from 1955 through 1962, and ShowcasePlus is the place to begin. utmx_section("Personal Footer"). Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. Don't You Rock Me Daddy-O The Grand Coulee Dam More than 100 million titles available in unlimited streaming in high sound quality. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. d.write('')})(); Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. Betty, Betty, Betty (Apr - 1958), Battle Of New Orleans (2) In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Rock My Soul (Oct - 1958) NME Rock 'n' Roll Years. London: Reed International Books. p. 27. CN 5585. ^ a b Lewis, Randy (5 November 2002). "Lonnie Donegan, 71; His Music Influenced 1960s Rock Bands". Los Angeles Times. Retrieved 27 October 2021. ^ "Lonnie Donegan was born 90 years ago today". Frank Beacham's Journal. 29 April 2021. Retrieved 27 October 2021. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. Subscription from $10.83/month Donegan went on to make a series of popular records with successes including "Cumberland Gap" and, particularly "Does Your Chewing Gum Lose It's Flavour (On The Bedpost Over Night)", his only hit song in the U.S., released on Dot. In the late '90s, his musical credibility came around again to perhaps the highest level of Gamblin Man. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". Donegan was suddenly a star, with a public that wanted more music from him. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. Bridgeton, Glasgow, Scotland, United Kingdom. © Bruce Eder /TiVo, 227 album(s) WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. WebLonnie Donegan Pop - Released by Castle Communications on 1/01/1985 16-Bit CD Quality 44.1 kHz - Stereo Starting at $117.99 My Old Man's A Dustman - The Singles As & Bs 1954 - 1961 Lonnie Donegan Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012 16-Bit CD Quality 44.1 kHz - Stereo Starting at $18.99 (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. Dead or Alive, SESSION: August 22/23, 1956 Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. Apart from the excellent sound, the surprising element of this body of songs is just how bracing it remains almost 50 years after it was recorded -- the tendency is to dismiss the skiffle boom as an embarrassing fluke, but in fact the level of musicianship achieved by Donegan and company (especially guitarist/singer Dick Bishop) was exceptional, and their feel for the material was a match for that of any white Americans this side of Bob Dylan. Thanks in advance. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. With three Number 1s (Cumberland Anthony James Donegan MBE (29 April 1931 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." The Sunshine Of His Love. They delve into blues, letting Barber have a Dixieland trombone solo on "Frankie and Johnny," invite Dr. John to play some New Orleans on "Goin' Home" and "Good Morning Blues," haul out Jimmie Rodgers ' "Muleskinner Blues" and Leadbelly 's "Goodnight Irene," paying tribute to both country and folk. By 1980, he was making regular concert appearances again, and a new album with Barber followed. Walton-on-Thames Film Studios, Surrey (J.Currie, gtr), August 28, 1957 British Legion Hall, Plymouth, Devon. Showcase . Lonnie made his chart debut in January 1956 with Rock Island Line. Subscription from $10.83/month Streaming plans Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. His next single "Lost John" reached #2 in the UK Singles Chart. Talking Guitar Blues: The Very Best Of Rock Island Line - The Singles Anthology 1955-1967, Looney Tunes: 24 Greatest Stars, 24 Greatest Tunes, Anthems in Eden: An Anthology of British & Irish Folk 1955-1978, Young Persons Guide to Music: Songs You Should Hear, Robert Palmer: Deep Blues a list of mentioned musicians and songs, Number TWO across the nation - UK singles - The 50's (So Close and So Frustrating), The Best of Rock: The Essential CD Guide, by Alan Clayson, There were Mammoths when The pyramids were built moments in music, Bands from Europe that sound like they're from Mississippi. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. The story goes that the host at the concert got the musicians' names confused, calling them "Tony Johnson" and "Lonnie Donegan", and Donegan was happy to keep the name. The name stuck. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. Sally Don't You Grieve (Nov - 1957) Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. WebLonnie Donegan. c.November, 1957 Pinewood Film Studios, Bucks. Ron Bowden - Drums, Denny Wright - Guitars 1956 Dear Wikiwand AI, let's keep it short by simply answering these key questions. Donegan was born as Anthony James Donegan in Glasgow, Scotland, the son of a professional violinist. He formed his own group, the Tony Donegan Jazz Band, in 1952. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. / Aunt Rhody, I Wanna Go Home (Wreck of the John B.) He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. He also played in Ken Colyer's group. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. Read Full Biography Overview Biography ), BBC Radio, London (with Dickie Bishop), Going Down The Road Feeling Bad (DB vcl) LD10, August 2, 1956 IBC Studios, London (Denny Wright, gtr), August 22, 1956 IBC Studios, London ("Lonnie Donegan Showcase"), January 25, 1957 Conway Hall, London ("Donegan On Stage"), Brother Moses Smote The Water unissued CD8, February 2, 1957 "Jazz Saturday", Royal Albert Hall, London, March 25/26, 1957 poss. Michael Row The Boat Ashore WebIt was over half a century ago in 1958, as Lonnie Donegan was ruling the charts with Rock Island Line, that Joe joined his first band, the Spacemen Skiffle Group, at the age of 17. Donegan was only paid a few pounds for the recording, and received no royalties. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. I'm A Ramblin' Man The name "skiffle" was hung on this music as a way of referring to it on the group's posters. He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. He returned to the chart Donegan received an Ivor Novello lifetime achievement award in 1995 and, in 2000, he was made an MBE. He appeared on television in the United States on the Perry Como Show and the Paul Winchell Show. Returning to the UK, he recorded his debut album, Lonnie Donegan Showcase, in summer 1956, with songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The LP sold hundreds of thousands. Singles. With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Donegan passed away November 3, 2002, following heart problems. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" Pete Korrison - Mandolin 1955 WebLonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. WebMore Than "Pye in the Sky" Review. By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. _udn = "none"; Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. In 1967, His song "I'll Never Fall In Love Again" was a #1 US,#4 UK Pop hit for, ("Mule Skinner Blues", "Ham 'N' Eggs", "Nobody's Child", "Ham 'N' Eggs"), ("(It Looks Like) I'll Never Fall in Love Again"), (" (It Feels Like) I'll Never Fall in Love Again"), ? Les Bennetts - Guitars, Vocals, Bass 1958 Times Are Getting Hard Boys. Carter's "Wabash Cannonball." function utmx_section(){}function utmx(){} He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. My Dixie Darling John Cole - Harmonica 1958 This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. [1] Donegan received an Ivor Novello lifetime achievement award in 1995[4] and in 2000 he was made an MBE. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. Pete Huggett - Bass, Strings 1958 This is a preliminary attempt at a chronological discography. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. Dick Bishop - Guitars, Vocals Wreck of the Old "97" The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. A Lonnie Donegan Hit Parade -- Vol 4 (November 1957) His taste in jazz went toward Louis Armstrong and Gene Krupa. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. He began playing guitar around London, and going to the small jazz clubs springing up around the city. Stewball But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. Long Summer Day. In 1952, he formed the Tony Donegan Jazzband, which played around London. On 28 June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson. Donegan adopted his first name as a tribute. He used the name at a concert at the Royal Albert Hall on 2 June 1952. Florida to Spain by his own group, the Tony Donegan Jazzband, which moved to East London in,... 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